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IB English A: Literature · Intertextuality: connecting texts

Transformation and adaptation across works practice questions.

36 exam-style questions on Transformation and adaptation across works — topic AE3.3 of Intertextuality: connecting texts in the IB English A: Literature syllabus — with answers and explanations. Samples below; the full set is free with an account.

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About this topic

Syllabus code
AE3.3
Subject
IB English A: Literature
Area of Exploration
AE3 · Intertextuality: connecting texts
Questions
36 with worked answers
Question types
13 multiple-choice questions · 8 fill-in-the-gap questions · 7 true/false questions · 6 flashcards · 2 matching tasks
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Sample questions on Transformation and adaptation across works

State the term for the reworking of an existing text into a new form, medium or context, such as turning a novel into a play or film.

  • Adaptation
  • Annotation
  • Paraphrase
  • Anthology

Answer: Adaptation

Adaptation is the transformation of a source text into a new form or medium; annotation, paraphrase and anthology describe different practices entirely.

Determine which term best describes a text that openly reworks an earlier work by imitating and often exaggerating its style for comic or critical effect.

  • Parody
  • Prologue
  • Epigraph
  • Synopsis

Answer: Parody

Parody imitates and exaggerates the style of a source to mock or comment on it; a prologue, epigraph and synopsis are structural or introductory devices, not transformations.

Explain why an author might retell a well-known myth or earlier story from the perspective of a marginal or silenced character.

  • To question the values of the original and give voice to what it left out
  • To deliberately make the new retelling completely impossible to compare with its original source
  • To conceal that the material is borrowed
  • To ensure the retelling has no meaning of its own

Answer: To question the values of the original and give voice to what it left out

Retelling from a marginal viewpoint is a transformative strategy that critiques the source's assumptions and recovers suppressed perspectives; the other options misdescribe its purpose.

Distinguish adaptation from allusion by identifying the statement that correctly captures the difference.

  • An adaptation reworks a whole source into a new version, while an allusion is a brief passing reference to another text
  • An allusion always fully retells and reworks the entire original source, while an adaptation merely hints briefly at it in passing
  • Both terms mean exactly the same thing
  • An adaptation must change the language while an allusion must change the plot

Answer: An adaptation reworks a whole source into a new version, while an allusion is a brief passing reference to another text

Adaptation transforms an entire work into a new form; allusion merely gestures briefly toward another text without reworking it.

Determine which change is best described as a transformation of medium rather than of content.

  • Staging a printed novel as a live theatre production
  • Changing a story's ending from tragic to happy
  • Relocating a plot from the past to the present day
  • Retelling events from a different character's point of view

Answer: Staging a printed novel as a live theatre production

Moving from print to live performance is a change of medium; altering the ending, setting or viewpoint transforms the content or perspective, not the medium.

Which statement most accurately describes 'fidelity' in adaptation studies and the modern critical view of it?

  • Fidelity means closeness to the source, but critics increasingly judge adaptations as works in their own right, not by faithfulness alone
  • Fidelity supposedly means that a worthwhile adaptation must slavishly reproduce every element of its source word for word to have any value at all
  • Fidelity is irrelevant because no adaptation can share any element with its source
  • Fidelity means an adaptation is always superior to its source

Answer: Fidelity means closeness to the source, but critics increasingly judge adaptations as works in their own right, not by faithfulness alone

Fidelity refers to closeness to the original, but contemporary criticism values an adaptation's own creative choices and context rather than measuring it purely against the source.

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